By Dave Pehling
SAN FRANCISCO (CBS SF) — Modern psych-rock favorites Dead Meadow return to the Bay Area to headline this Halloween night show at the Chapel in San Francisco Sunday.READ MORE: Film Fans Tell New Castro Theatre Managers To Keep It Reel
Tempering hefty, bong-hazed riffs with equal doses of dreamy guitar drones and transporting melodies, talented power trio Dead Meadow has been making its unique style of heavy psychedelic rock for over two decades. Founded in Washington, D.C. in 1998 by guitarist/singer Jason Simon, bassist Steve Kile and drummer Mark Laughlin, Dead Meadow crafted a sound that managed to appeal to Sabbath-worshipping metal fans, greybeard hippies and shoe-gazing indie kids alike.
Built around Simon’s languid, fuzzed-out guitar (and fueled by liberal use of his wah-wah pedal), the trio’s self-titled debut album on Fugazi bass player Joe Lally’s stoner-rock focused label Tolotta Records fit in comfortably with the imprint’s other releases by Philly-based instrumentalists Stinking Lizaveta and several of doom icon Scott “Wino” Weinrich’s bands. Dead Meadow’s caught the attention of famed UK rock DJ John Peel, who commissioned the group to track the first and only “Peel Session” recorded outside of the BBC studios (the recording eventually saw release on a couple different labels earlier this decade).
Gaining momentum, the band quickly followed up with a second studio album — Howls from the Hills — for Tolotta as well as a live album produced and mixed by neo-psych maven Anton Newcombe of the Brian Jonestown Massacre that documented one of drummer Laughlin’s last shows with the group before leaving to attend law school. Stephen McCarty, the former drummer for D.C. slowcore band Canyon, filled out the line-up in time for the recording of their first effort Matador Records, Shivering King and Others, in 2003.
That album showed Simon and company further refining their deft touch with hazy atmospheres and sprawling psychedelic guitar epics. Dead Meadow would add second guitarist Cory Shane for the recording of their next collection of songs — Feathers in 2005, but that album found the group in it’s most restrained and pop-minded mode yet.READ MORE: Health Experts, Parents, Teachers Call for Lifting Mask Mandates Post-Omicron
While the expanded line-up did not last beyond that album and tour (Shane would depart in 2007), the trio would soldier on, relocating to Los Angeles and exploring new creative avenues including the live film/soundtrack project Three Kings in 2010, a brief collaboration with like-minded Australian guitarist Andrew Stockdale of Wolfmother and a reunion with original drummer Laughlin.
Simon also branched out into solo recordings in a similar if sparser, more folk-oriented style that echoes elements of Bob Dylan and British acoustic guitar heroes Bert Jansch and John Renbourn (though more recent solo material like 2016’s Familiar Haunts has shifted to a more electric sound). While there have been occasional tours since the group issued it’s 2013 double album opus Warble Womb to keep fans satisfied, Dead Meadow last year marked two decades of making music with its first new album in five years, The Nothing They Need.
Featuring contributions by former guitarist Shane and all three of the band’s drummers including new timekeeper Juan Londono, the latest record finds the crew churning out some inspired heavy psychedelic rock that shows a significant debt to the sounds of Neil Young and Crazy Horse. The band has yet to issue a follow-up to that studio album, but earlier this year Dead Meadow partnered with Austin, TX-based psych festival Levitation to release a spectacular live performance recorded at the Pillars of God outdoor amphitheater at Camp Mozumdar in San Bernardino in 2020 that featured returning drummer Mark Laughlin back behind the kit.
The group returns to the Bay Area to play the Chapel Halloween night, joined by like-minded LA band the Flash Hits and the always synapse-frying visuals of Mad Alchemy Liquid Lights. The Chapel is requiring that all patrons show valid proof of full vaccination in order to attend indoor shows, meaning attendees must have received their final dose of a COVID-19 vaccine at least two weeks earlier. The Chapel does not accept negative COVID-19 tests. Patrons are also required to wear a mask at all times while indoors unless actively eating or drinking.MORE NEWS: Niners Faithful Return From Green Bay With Cherished Memories of Epic Win
Sunday, Oct. 31, 9 p.m. $20-$25